vendredi 30 août 2013

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The Fitflat Icon Set: 10 Free Flat Icons (PSD and PNG)
Aug 30th 2013, 10:00, by Jacob Gube

The Fitflat Icon Set: 10 Free Flat Icons (PSD and PNG)

This is a free set of flat icons in the theme of "health and fitness". There are 10 icons in this freebie. The freebie package comes with the PSD source file in case you would like to edit the icons, as well as ready-to-use PNGs sized at 64x64px (a popular icon dimension).

This free icon set is brought to you by Responsive, a design and development studio in Bucharest, Romania.

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Stefan Irava is the Lead Designer for Responsive, a Bucharest-based design and development studio. Stefan is also the Lead Designer for Revolge, an online drag-and-drop design tool for creating stunning WordPress themes. See more work from Stefan on Dribbble and find out more about Revolge here.

The post The Fitflat Icon Set: 10 Free Flat Icons (PSD and PNG) appeared first on Six Revisions.

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jeudi 29 août 2013

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Finding the Middle Ground: How to Compromise with Clients
Aug 28th 2013, 10:00, by Jacob Gube

No one is right 100% of the time, not even the most experienced and battle-tested professional designers among us. If you’re doing work for a client and they shoot down what you feel is a strong design concept, don’t take it personally.

It’s perfectly normal for clients and designers to have many meetings, going back and forth on design concepts and ideas until they are both are satisfied. Unfortunately, in the process, a few of us who are very passionate about our craft sometimes forget about the client’s opinions.

Here’s the bottom line: Your client needs a website that looks as good as it works, while you need a successfully completed project that’s portfolio-worthy.

Clients might not know what they want out of a design specifically, but they likely know more than you about their industry.

No matter how outrageous their suggestions seem to you, it’s important to maintain an open mind.

The key to a successful collaboration is your attentiveness to the client’s needs, and your ability to design a website that satisfies those needs. The good news is that both are in your control.

Walk a Mile in Your Client’s Shoes

Right from the start, make it a priority to truly understand where the client is coming from. Get to know them and their company, and understand why they are coming to you for the project.

When trying to understand your client and his/her needs, keep the following things in mind.

What is your client’s level of involvement in the project?

How inclined the client is in overseeing the design project will be a major factor in what you will be producing for them.

If they’re very attached to the project, then they will be more particular about the details.

If they are simply overseeing the project, then they will probably be involved more indirectly, at a macro level.

Who has the final say?

Identify the role of the person you will be pitching your design concepts to if you want your strongest design to make it to the end of the negotiation.

Find a way to solve their problems. Appeal to their needs.  If you truly believe in a design idea, find out more about the decision-makers and how you can sell your concept to them, heeding their preferences and concerns in mind.

What is their level of web design knowledge?

Gauge early on the type of diction or amount of jargon your client understands. Use this to your advantage when explaining the reason behind your concepts in order to minimize misunderstanding.

Less tech-savvy clients might not know what they need or how to communicate their needs. Instead of bombarding them with web design jargon — conversion rates, responsive web design, adaptive layouts, font stack, analytics, open source frameworks, UI, UX, bounce rate, CSS, and other conventional terms we use to communicate with other web designers — translate what you want to say in a language they will understand.

You will have much better chemistry during the negotiation, too. Everyone appreciates a smooth operator.

Two Harmful Mindsets You Should Avoid When Working with Clients

Your opinion and expectations on what design would be best for the website you’re tasked in developing might not be the same as your client’s.

During negotiations, the amount that you compromise could very well determine the success of the site. You might have a strong grasp of what’s going on in the web design world, but your client will know more about their industry and target demographic.

There are two very harmful mindsets when working with clients, and every designer can fall victim to them.

"I know what’s right for my client, and they should use my ideas.  No exceptions."

While passion and confidence in the effectiveness of a design are great strengths for a designer to have, step back and look at it from your client’s point of view. The design concept you’ve submitted might be good, but that doesn’t necessarily mean it fulfills the purpose and goals of the site.

Don’t be too attached to your designs.  Step back from what you’re doing once in a while and ask yourself if this is really the best thing for the client’s project.

More importantly, don’t take anything personally. One of the most unprofessional things you can do is get emotionally involved and take rejection the wrong way.

"Whatever the client says goes. I’m just here to do what they say for the money."

This is the other extreme. Actually, this can be more harmful than the previous mindset.

To be frank, if you think of design work like this, then you should review what motivated you to become a designer.

Not only is this mindset harmful to your overall body of work and the success of your website design projects, but it also shows that you do not care.

Every time you submit a design, it should be your strongest possible, while fulfilling the client’s requirements.

Achieving Balance

Finding and harnessing just the right amount of passion for your work is imperative.

Too little passion signals that you are apathetic, and too much can make you take things personally or get too attached to your designs and to being right.

Find a middle ground, where your passion is balanced and your understanding of the client’s needs is clear. A client’s needs will dictate the flow of your work, even if you think they are shooting themselves in the foot by accepting anything other than your ideas.

Disagreements will undoubtedly arise during negotiations, so keep your cool and focus on the goal.

"Do the right thing." When you disagree with an idea that the client insists on implementing, politely suggest an alternative. Be absolutely sure that your claims are 100% accurate, and back them up with quantitative data, such as focus groups and A/B tests. You might also be able to convince them by showing work you have done that turned out to be a huge success.

Necessary Compromise: You Win Some, You Lose Some

Pick your battles, and know when to give in and when to negotiate for something you think would really benefit the client. Something as trivial as the size of a button is not as important when you compare it to the site’s information architecture. Give in on the size of the button, but make sure to get your point across for the site’s structure.

It’s impossible to know everything the client will need without asking the right questions, and it is difficult to handle rejection when you’ve put your heart into doing exactly what you think the client has told you to do. Of course, don’t rub it in if they’re wrong.  A feeling that you’re not on their side will decrease a client’s trust in you.

Be graceful when receiving criticism. The best response is to return with something that satisfies all of the client’s needs, both aesthetic and functional.

With this conceptual approach to negotiations I have discussed, a web designer will appear more desirable to work with and, thus, gain more clients, resulting in a stronger portfolio and more clients — a virtuous cycle of positive outcomes for all parties involved.

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About the Author

Rick Debus is the founder and CEO of Signazon.com, a national e-commerce printing company based in Dallas, Texas. With over 15 years of web design and development experience, he’s passionate about bringing unique and innovative solutions to the Internet. Connect with him on Google+.

The post Finding the Middle Ground: How to Compromise with Clients appeared first on Six Revisions.

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lundi 26 août 2013

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5 Mistakes You Should Avoid When A/B Testing Your Designs
Aug 26th 2013, 10:00, by Jacob Gube

5 Mistakes You Should Avoid When A/B Testing Your Designs

A/B testing can help improve your web designs. Even a small tweak such as changing the location of your call-to-action button can increase sales by 35.6%. Performing A/B tests will let you verify that your design changes lead to better results.

As a web designer who strives to create high-performing websites, you probably already know about A/B testing. But in case this is the first time you have heard of A/B testing (which is also called split testing sometimes), read this introductory guide first: An Introduction to Website Split Testing.

Though A/B testing seems like a no-brainer — especially with the huge array of user-friendly tools out there like Optimizely, Google Analytics Content Experiments, and Visual Website Optimizer (the company I work for) — there are a few common mistakes that will lead you towards unreliable results.

These A/B testing mistakes could spell disaster for a website because they have the potential to lower a site’s conversion rates.

Making the A/B testing mistakes I’ll be talking about below would, at the very least, mean you’re not going to get the best data you can get for making informed design decisions.

Mistake #1: Using A/B Tests When You Really Shouldn’t

A/B testing is best used when you want to test different two versions of one variable.

For example, if you want to find out if your hyperlinks get clicked on more if they were underlined versus if they weren’t, you can create two versions of a web page: One version with links underlined (version A), and one version where links aren’t underlined (version B). The variable being tested is the hyperlink’s text decoration (underlined vs. not underlined).

In this case, you can effectively use A/B testing to see which version is better.

But for testing more than one variable, you should use multivariate tests (MVT).

Continuing on with our hyperlink example, you should use multivariate testing if you want to find the best combination for these 3 variables:

  1. Text decoration: Underlined vs. Not Underlined
  2. Text color: Blue vs. Orange vs. Green
  3. Text style: Bold vs. Italics vs. Normal

In the case above, there are 18 (2x3x3) different versions you need to test in order for you to get the best results.

Why would you want to test 18 different versions? There could be an interaction between these 3 variables that could affect conversion performance.

For instance, green-colored hyperlinks may perform better than blue-colored hyperlinks only if the green hyperlinks were bolded and not underlined. But the green hyperlinks could perform worse than blue hyperlinks when the green hyperlinks are italicized and underlined.

However, multivariate testing requires site traffic to be divided among the different versions being tested, so I recommend using this testing method only when the web page you are testing already receives a good amount of traffic. Otherwise, the test will take too long to finish in order for you to get definitive results.

Websites with low traffic should choose A/B tests because it would be the most practical choice in the case of low site traffic.

Mistake #2: Ignoring the Sample Size

So you have just set up an A/B test on your website.

Two hours later, you get statistically confident results indicating that the web design version that has a blue call-to-action button is showing 300% improvement in sign-ups.

You jump with joy because of this newfound discovery, and now you will be committing the change site-wide.

Hold your horses!

Because the testing period seems too short, the scenario above is indicative of an A/B test that was administered on an insufficient sample size of visitors.

For those of us who aren’t stats junkies, sample size in this context is the amount of website visitors being tested.

An insufficient sample size means that the sample size is statistically too small to be an accurate representation of the entire population (entire population, in this context, means all website visitors).

When your site receives 50,000 visitors a month, a test that was run on a sample size of only 30 visitors (which is only 0.06% of the monthly site visits) won’t get you conclusive results.

The positive increase in performance in these scenarios might simply be due to chance/coincidence.

When you implement a change on your site based on an insufficient sample size, you might soon realize that your conversion rates aren’t increasing as you had expected.

Or worse: In some cases, it might even decrease. Why? If you have an insufficient sample size, the improvement you saw during the testing period might have only been by chance and there’s a possibility that, in reality, the version showing a positive improvement is actually worse when tested on an appropriate sample size.

To avoid this mistake, you will need to determine the appropriate sample size for your test. You can use Visual Website Optimizer’s free test duration calculator.

The tool will tell you how many days you need to run the test for so that you can receive reliable results. The calculation is based on the number of versions you’re going to test, your website traffic, your current conversion rate, etc.

Mistake #3: Focusing on Only One Website Metric

There are several conversion goals you can use as metrics for success, such as click-through rate, the number of sign-ups you get on your web app, shopping cart abandonment rate, and so forth.

You will often see that there is an interaction between your different website goals and metrics, and thus, using data you gather via A/B tests to improve only one of your metrics could negatively impact other important metrics.

For instance, using a design version that improves the click-through rate of your call-to-action button might consequentially affect the number of sign-ups you get.

Sometimes a change in the web design that decreases one metric is alright if it significantly improves a more important metric, such as a decrease in click-through rate is alright if you’re getting significantly more sign-ups.

You should have complete knowledge of every metric that’s being affected with your changes so that you can make an informed design decision based on your project’s priorities.

Mistake #4: Not Segmenting Your Tests

Over at Visual Website Optimizer, one of our customers ran a test to see if removing some navigation elements from their homepage could increase conversions.

The customer segmented the test in such a way that only new visitors on the site would be tested.

This made perfect sense because this was a video streaming website, much like Netflix. So, a good number of returning visitors on the site were people who were already their customers.

Since the site owner was most interested in seeing how to convert new site visitors to customers, it was a great idea to segment the A/B test.

Runing the test for all visitors on the site would have been a mistake; doing so would have skewed the results because testing all visitors would mean having a data sample that included visitors who have already gone through the conversion funnel and are already customers.

You can read the complete case study here.

Segment your A/B test if it can lead to better results for the particular test you’re running.

Mistake #5: Choosing Aesthetics Over Results

This is one of the biggest initial struggles I see designers face when they start A/B testing their work.

Here is a hypothetical scenario (exaggerated for discussion purposes): The designer believes the stock photo she picked looks beautiful with the design. She runs an A/B test to verify that it’s a good design choice.

She creates two versions to test: One with the stock photo (version A), and one without (version B).

The designer discovers that the web design gets more clicks on the "Buy Now" button on version B, the version without the stock photo.

However, version B looks "ugly" in the designer’s opinion.

What does she do now? Ignore the results and go with the flower photo, choose another stock photo, or make an informed design decision and revise the design so that it looks better without a stock photo?

Once you get into the groove of testing, you will get the hang of achieving a good balance between design aesthetics and test data.

Sometimes the site may not look as pretty as you want it to, but if it doesn’t look absolutely horrendous, choose the design that performs better.

After all, websites are tools. The purpose of a website is not to look pretty, but to achieve certain objectives like increasing online sales or getting more pageviews.

Regardless of how a web design looks, the design that is better at achieving the website’s goals should be the one that should be implemented.

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About the Author

Smriti Chawla is a content writer at Visual Website Optimizer, a popular A/B testing and heat-mapping tool. Read more articles on A/B testing and high-converting design ideas by visiting the Visual Website Optimizer Blog. Connect with Smriti on Twitter.

The post 5 Mistakes You Should Avoid When A/B Testing Your Designs appeared first on Six Revisions.

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